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You can use Logic Pro with a keyboard and trackpad, but I found that Apple did a great job of making it touch-friendly. There are AUs in the App Store from major companies like Eventide, Baby Audio, FabFilter, Moog and more. The good news is that they’re completely plug-and-play – Logic Pro automatically detects if you have compatible AUs installed and displays them in the interface.
If the AU isn’t offered there, you’re out of luck.
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Since iPadOS is much more closed than macOS, the only way to load up a third-party plugin is to download its app from the App Store. I also quickly dabbled in third-party Audio Unit Extensions.
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You can also add effects in real time, like when I decided to drop a heavy metal stack simulator on a “smooth and gentle” keyboard track.
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I was able to manipulate this all in real-time as the song played back – for example, I could drop a new instrument patch on the keyboard track to change the tone and it would render near-instantly. Finally, you can route the signal through multiple different amp and effects chains at the same time, so you can simulate sending your guitar tone into both a clean amp with some chorus and delay as well as a distorted stack, which added some great texture.Īpple helpfully included a demo song with Logic Pro that contained a total of 36 tracks across multiple vocals, pianos and synths, guitars, bass and drums. The app also shows you the signal chain, so you can move things forward or backward and see what differences that makes. There are a ton of those to try, and you can dig into each to see exactly what effects are being applied and modify them to your liking. Off the bat, I didn’t notice any latency when running my guitar live through different effects and amp presets. I hooked up my guitar with an IK iRig HD 2 and was immediately impressed with the huge variety of different tonal options available. In addition to the wide variety of built-in instruments and samples, you can plug instruments directly into the iPad and record them. You can also use M1 and M2 iPads with an external display and Stage Manager multitasking, but a big draw for these apps is portability, something you can’t take as much advantage of when hooked up to a monitor. (Even using most DAWs on larger laptop screens can feel pretty cramped.) If you’re serious about using Logic Pro as a significant part of your workflow, you’ll want the biggest iPad you can get. As anyone who has worked with a DAW before will know, there are a lot of elements to manipulate and the screen can get very crowded quite quickly. That said, there’s no doubt this app is best with the largest display possible.
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In both cases, the app was extremely responsive as I blasted through demos that showed me how to create beats with the step sequencer, play and tweak the huge variety of software instruments included, build tunes with Live Loops and more.īy subscribing, you are agreeing to Engadget's Terms and Privacy Policy. I tried it on a current-gen 12.9-inch iPad Pro with an M2 chip as well as an older 11-inch iPad Pro from 2020 with the A12Z chip. It’ll work on any iPad with an A12 Bionic or newer processor, which covers a lot of devices: Pros from 2018 onward, Airs from 2019 or newer and even the basic iPad, starting with the 2020 release. Of the two apps, Logic Pro requires less horsepower. I’m not a movie-maker, and I’ve only dabbled in digital audio workstations, but I was nonetheless intrigued to see how successful Apple was at bringing them to the iPad and how well they performed. Apple provided an answer to that question a few weeks ago when it announced versions of its Logic Pro and Final Cut Pro for the iPad. In fact, since Apple started putting its M1 and M2 chips in the iPad Air and iPad Pro, it hasn’t been totally clear what all that power is for. Since those early stumbles, years of advancements in software and more capable hardware - like the iPad Pro - have forged Apple's tablet line into an extremely capable creative tool. The first iPad came with fairly capable versions of the company’s Pages, Numbers and Keynote productivity apps, and the more powerful iPad 2 was released alongside tablet-specific versions of GarageBand and iMovie. Right from the start, Apple tried its best to battle that perception. Ever since Apple released the first iPad in 2010, a common refrain is that the tablet is great for consumption, not creation.
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